{"id":415,"count":3,"description":"
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VUE D'ENSEMBLE<\/strong><\/div>\r\n
\r\nBiographie<\/a>\r\n\u0152uvres de Friedlaender-Wildenhain<\/a>\r\nSources<\/a>\r\n<\/div>\r\n<\/div>\r\n\r\nL'artiste du Bauhaus Marguerite Friedlaender-Wildenhain est l'une des c\u00e9ramistes de studio les plus importantes du 20e si\u00e8cle - d'abord en Allemagne, puis aux Pays-Bas et enfin aux \u00c9tats-Unis. En raison de ses origines juives, elle a d\u00fb fuir l'Allemagne en 1933, puis les Pays-Bas en 1940.\r\n\r\nMarguerite Friedlaender-Wildenhain faisait partie du petit cercle de quatre \u00e9l\u00e8ves de l'atelier de poterie du Bauhaus \u00e0 Dornburg<\/a>, qui ont effectivement termin\u00e9 leur apprentissage. Outre Marguerite Friedlaender-Wildenhain, Otto Lindig<\/a>, Theo Bogler et Werner Burri ont pass\u00e9 leur examen de compagnon potier au Bauhaus. [1]<\/strong>\r\n\r\n
\"Tasse<\/a><\/figure>
Tasse de la poterie Het Kruikje de Marguerite Friedlaender-Wildenhain<\/a><\/strong><\/figcaption>\r\n
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Biographie de Marguerite Friedlaender-Wildenhain<\/h2>\r\n\r\n\t\r\n\t\t\r\n\t\t\t
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1896<\/span>
n\u00e9 \u00e0 \u00c9cully, pr\u00e8s de Lyon, France<\/p>\r\n\r\n\t\t\t

\u00e0 partir de 1910<\/span>
habite \u00e0 Berlin<\/p>\r\n\r\n\t\t\t

1914<\/span>
Baccalaur\u00e9at en internat \u00e0 Folkestone, Royaume-Uni<\/p>\r\n- \u00c9tudes de sculpture sur bois et de dessin \u00e0 l'\u00c9cole des arts et m\u00e9tiers de Berlin\r\n\t\t\t\r\n\t\t\t

\u00c0 partir de 1916\/1917<\/span>
Peintre d\u00e9corateur \u00e0 la manufacture de porcelaine de Rudolstadt<\/p>\r\n\r\n\t\t\t

1919<\/span>
\u00c9tudes au Bauhaus d'\u00c9tat de Weimar<\/a><\/p>\r\n\r\n\t\t\t

1922<\/span>
Fin de l'apprentissage \u00e0 l'atelier de c\u00e9ramique du Bauhaus \u00e0 Dornburg\/Saale chez Gerhard Marcks et Max Krehan<\/p>\r\n\r\n

jusqu'en 1925<\/span>
arbeitet in der travaille \u00e0 l'atelier de c\u00e9ramique du Bauhaus \u00e0 Dornburg<\/p>\r\n\r\n\t\t\t

de 1925 \u00e0 1929<\/span>
directrice du d\u00e9partement de c\u00e9ramique \u00e0 \u00e0 l'\u00e9cole d'arts appliqu\u00e9s Burg Giebichenstein \u00e0 Halle<\/a><\/p>\r\n\r\n\t\t\t

1926<\/span>
Examen de ma\u00eetrise ; d\u00e9but du d\u00e9veloppement de son propre assortiment de c\u00e9ramiques<\/p>\r\n\r\n

1929<\/span>
Responsable de l'atelier de porcelaine de l'\u00e9cole d'arts appliqu\u00e9s Burg Giebichenstein \u00e0 Halle ; d\u00e9but de la collaboration avec la manufacture nationale de porcelaine de Berlin (KPM),<\/a>, pour laquelle elle a par exemple con\u00e7u en 1929 le service \u00e0 caf\u00e9, moka et th\u00e9 \u00ab Hallesche Form \u00bb<\/a> qui a \u00e9t\u00e9 expos\u00e9 en 1930 \u00e0 la foire de Leipzig.<\/p>\r\n\r\n<\/td>\r\n\t\t\t

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1930<\/span>
Mariage avec le c\u00e9ramiste Franz Rudolf Wildenhain.<\/p>\r\n\r\n

1933<\/span>
\u00c9migration aux Pays-Bas en raison de la prise de pouvoir par les nationaux-socialistes et <\/p>\r\n- Installation de sa propre poterie \u00ab Het Kruikje \u00bb (La petite cruche) \u00e0 Putten pr\u00e8s d'Amsterdam (Pays-Bas), avec son mari Franz Rudolf Wildenhain, o\u00f9 plusieurs employ\u00e9s sont employ\u00e9s.\r\n\r\n\t\t\t

1940<\/span>
\u00e9migration vers les \u00c9tats-Unis sans son mari en raison de l'invasion des Pays-Bas par les nazis<\/p>\r\n- de 1940 \u00e0 1942, directrice de l'atelier de c\u00e9ramique du College of Arts and Crafts \u00e0 Oakland, USA\r\n\r\n

1942-1949 <\/span>
travaille dans la colonie d'artistes \u00ab Pond Farm \u00bb \u00e0 Guerneville, Californie, USA<\/p>\r\n\r\n

1949<\/span>
S\u00e9paration de son mari Franz Rudolf Wildenhain (qui vit aux Etats-Unis depuis 1947).<\/p>\r\n- Fondation de son propre atelier de c\u00e9ramique : \u00ab Pond Farm Pottery \u00bb ; Friedlaender-Wildenhain y organise en outre des cours de c\u00e9ramique jusqu'\u00e0 sa mort.\r\n\r\n\t\t\t

1985<\/span>
d\u00e9c\u00e9d\u00e9e \u00e0 Guerneville, USA<\/p>\r\n\t\t\t<\/td>\r\n\t\t<\/tr>\r\n\t<\/tbody>\r\n<\/table>\r\n\r\n

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