{"id":314,"count":9,"description":"\r\n\r\n\r\n
\r\n

1879<\/span>
n\u00e9 \u00e0 Siegen, Allemagne<\/p>\r\n\r\n

apr\u00e8s 1902<\/span>
\u00e9tudes de peinture \u00e0 la \"Debschitz-Schule\" priv\u00e9e pour les arts libres et appliqu\u00e9s, Munich-Schwabing<\/p>\r\n\r\n- elargissement de ses connaissances artistiques par le biais de sa s\u0153ur Emmi Dresler, qui comptait parmi les premiers \u00e9l\u00e8ves de Wassily Kandinsky ; Emmi Dresler \u00e9tait amie avec Gabriele M\u00fcnter\r\n\r\n

1910<\/span>
la visite de l'exposition \"Chefs-d'\u0153uvre de l'art muhammadien\" \u00e0 Munich fait une grande impression sur Paul Dresler et apr\u00e8s la visite de l'exposition, il d\u00e9cide de devenir c\u00e9ramiste <\/p>\r\n\r\n

vers 1910<\/span>
fabrique ses premi\u00e8res c\u00e9ramiques dans l'atelier de poterie de Joseph Schormeyer<\/p>\r\n\r\n

1912<\/span>
\u00e9tudie \u00e0 l'\u00e9cole professionnelle de c\u00e9ramique de Landshut, \u00e9l\u00e8ve de Jacob Julius Scharvogel, qui fabriquait de la fa\u00efence d'apr\u00e8s des mod\u00e8les japonais ; membre du Deutscher Werkbund (association allemande des artisans)<\/p>\r\n\r\n

1913<\/span>
fondation de la poterie Grootenburg Paul Dresler GmbH \u00e0 Krefeld gr\u00e2ce \u00e0 l'int\u00e9r\u00eat du premier directeur du mus\u00e9e Kaiser Wilhelm de Krefeld pour une poterie destin\u00e9e \u00e0 promouvoir la c\u00e9ramique rurale locale. Outre des c\u00e9ramiques \u00e0 caract\u00e8re populaire, des c\u00e9ramiques d'influence japonaise voient le jour.<\/p>\r\n\r\n

1917-1918<\/span>
service militaire<\/p>\r\n\r\n<\/td>\r\n

\r\n

1919<\/span>
retour \u00e0 Krefeld et poursuite de la production dans sa poterie.<\/p>\r\n\r\n

1920<\/span>
Margarete Pilger prend la direction commerciale de la poterie, ce qui lui permet de se concentrer sur les aspects artistiques et techniques de la production<\/p>\r\n\r\n- pour ses propres travaux, Dresler pr\u00e9f\u00e8re les fours \u00e0 charbon ou \u00e0 bois avec des flammes ouvertes, ce qui conf\u00e8re \u00e0 la c\u00e9ramique un effet de couleur vivant\r\n\r\n

1928<\/span>
d\u00e9m\u00e9nagement de l'atelier \u00e0 la Kuhlesh\u00fctte (Krefeld-Oppum) dans des locaux plus grands ; Paul Dresler s'occupe de gr\u00e8s.<\/p>\r\n\r\n

1931<\/span>
production en s\u00e9rie de gr\u00e8s<\/p>\r\n\r\n

ab 1949<\/span>
dirige l'atelier de poterie \u00e0 la Werkkunstschule de Krefeld<\/p>\r\n\r\n

1950<\/span>
d\u00e9c\u00e9d\u00e9 \u00e0 Krefeld, Allemagne<\/p>\r\n\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\nSource : <\/em>\r\nTheis, Heinz-J. (ed.): Paul Dresler (1879-1950) und die T\u00f6pferei Grootenburg, Berlin 2010.\r\n\r\n

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