{"id":20315,"date":"2021-10-09T09:52:19","date_gmt":"2022-06-06T19:08:54","guid":{"rendered":"https:\/\/www.robertzueblin.com\/?post_type=product&p=20315"},"modified":"2023-01-11T11:45:13","modified_gmt":"2023-01-11T10:45:13","slug":"richard-bampi-1896-%e2%80%a0-1965-bol-a-anse-de-style-wabi-sabi","status":"publish","type":"product","link":"https:\/\/www.robertzueblin.com\/fr\/richard-bampi\/bol-a-anse-de-style-wabi-sabi\/","title":{"rendered":"Richard BAMPI (* 1896, \u2020 1965) – Bol \u00e0 anse de style wabi-sabi – poterie d’atelier"},"content":{"rendered":"

Type :<\/span> poterie d’atelier<\/a><\/p>\n

\u00c9bauche :<\/span> Richard Bampi (* 1896, \u2020 1965)<\/p>\n

R\u00e9alisation :<\/span> Manufacture de fa\u00efence Richard Bampi, Kandern<\/p>\n

Objet :<\/span> coupe \u00e0 anse<\/p>\n

Dimensions :<\/span> hauteur sans anse : 7 cm, hauteur avec anse : 15,5 cm, largeur sans anse : 15,5 cm, largeur avec anse : 16,5 cm<\/p>\n

Tesson :<\/span> brun clair<\/p>\n

Surface :<\/span> gla\u00e7ure brune et blanc-brun, en partie avec du bleu ; gla\u00e7ure \u00e0 l’int\u00e9rieur de la coupe avec des craquelures<\/p>\n

Ann\u00e9e de fabrication :<\/span> 1941 – circa 1952<\/p>\n

\u00c9tat :<\/span> petites pertes partielles sur les enroulements de l’anse, ainsi que sur l’anse \u00e0 l’endroit o\u00f9 elle passe \u00e0 travers les trous de la coupe.<\/p>\n

Signature\/marque :<\/span> tampon RB<\/p>\n

D\u00e9tails :<\/span>
\nBol en c\u00e9ramique tourn\u00e9 avec anse de la manufacture de fa\u00efence Richard Bampi, Kandern. La coupe est marqu\u00e9e du tampon RB, utilis\u00e9 de 1941 \u00e0 1952 environ [1]. \u00c0 partir de 1941, Richard Bampi a travaill\u00e9 en partie avec le peintre Julius Bissier, qui a fait d\u00e9couvrir le bouddhisme zen \u00e0 Richard Bampi [2]. Le bol \u00e0 anse ici correspond \u00e0 l’esth\u00e9tique du bouddhisme zen, le wabi-sabi, selon lequel la beaut\u00e9 r\u00e9side entre autres dans la simplicit\u00e9 et l’al\u00e9atoire [3]. La forme et les couleurs du bol sont simples, l’\u00e9mail s’\u00e9tend de mani\u00e8re al\u00e9atoire \u00e0 l’int\u00e9rieur et \u00e0 l’ext\u00e9rieur du bol. Il n’est toutefois pas possible de savoir si le bol est issu d’un projet de Bissier.<\/p>\n

Notes de bas de page :<\/em>
\n1. Verein f\u00fcr keramische Kunst e.V., Keramion – Museum f\u00fcr zeitgen\u00f6ssische keramische Kunst (\u00e9d.) : Kunst im Keramion, 19, Richard Bampi, Frechen 1981, p. 142.
\n2. Verein f\u00fcr keramische Kunst e.V., Keramion – Museum f\u00fcr zeitgen\u00f6ssische keramische Kunst (\u00e9d.) : Kunst im Keramion, 19, Richard Bampi, Frechen 1981, p. 48.
\n3. aus d. Museum f\u00fcr V\u00f6lkerkunde Leipzig. Einf. u. Erl. von Karla Bilang: Japanische Keramik, Leipzig 1978, p. XI.<\/p>\n","protected":false},"excerpt":{"rendered":"

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