{"id":383,"count":1,"description":"\r\n\r\n\r\n
\r\n

1915<\/span>
born in Hamburg, Germany<\/p>\r\n\r\n- in childhood she collected illustrations of vessels by Otto Lindig and Auguste Papendieck.\r\n\r\n

1933-1934<\/span>
student at the Landeskunstschule in Hamburg; ceramics class of Max W\u00fcnsche<\/p>\r\n\r\n

1934<\/span>
failed attempt to start as Auguste Papendieck's apprentice, as the latter did not accept apprentices on principle<\/p>\r\n\r\n

1934-1937<\/span>
does an apprenticeship in pottery with Hubert Griemert at Burg Giebichenstein in Halle an der Saale<\/p>\r\n\r\n

1937<\/span>
passes the journeyman's examination<\/p>\r\n\r\n

1939-1946<\/span>
works for Otto Lindig in Dornburg<\/p>\r\n\r\n

1944<\/span>
passes master craftsman's examination<\/p>\r\n\r\n

1947-1948<\/span>
assistant to Gerhard Marcks and Sigfried M\u00f6ller at the State School of Art in Hamburg<\/p>\r\n\r\n<\/td>\r\n

\r\n

1948<\/span>
develops a tea service together with Gerhard Marcks<\/p>\r\n\r\n

1949-1955<\/span>
assistant to Otto Lindig at the Academy of Fine Arts in Hamburg<\/p>\r\n\r\n

1952<\/span>
birth of their daughter with Otto Lindig<\/p>\r\n\r\n

1955<\/span>
foundation of her own workshop in Ahrensburg near Hamburg<\/p>\r\n\r\n

ab 1956<\/span>
abundant architecture-related work, less time for vessel production<\/p>\r\n\r\n- in the 1960s she started to produce polygonal vessels, fired at 1280 \u00b0C, partly unglazed\r\n\r\n- from the 1970s she began to reshape the walls of the turned vessels with the mallet\r\n\r\n\r\n

1998<\/span>
died in Ahrensburg, Germany<\/p>\r\n\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\nSources: <\/em>\r\nReineking v. Bock, Gisela: Keramik des 20. Jahrhunderts, Germany, M\u00fcnchen 1979, p. 95.\r\n\r\nF\u00f6rderkreis Keramik-Museum B\u00fcrgel und Dornburger Keramik-Werkstatt e. V. : Liebfriede Bernstiel zum Hundertsten \u2026 im Anfang war Dornburg. On the occasion of the exhibition of the same name. B\u00fcrgel, 2015. pp. 2, 12-14, 18-20, 22, 23, 26, 29.\r\n\r\n\r\n

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