{"id":346,"count":2,"description":"Ernst H\u00e4usermann is one of the most important studio potters in Switzerland and an internationally recognized artist.<\/strong> \r\n\r\nHe is also known as a sculptor and object artist. In addition, he had already played the piano in a pop jazz band at an early age.<\/strong>\r\n\r\n
\"Ceramics<\/div>\r\n
Ceramics from the artist Ernst H\u00e4usermann<\/strong><\/figcaption><\/a>\r\n\r\n
\r\n
INDEX<\/strong><\/div>\r\nShort biography<\/a>\r\nAbout the material clay<\/a>\r\nH\u00e4usermann in the media<\/a>\r\nSources<\/a>\r\nArtworks by Ernst H\u00e4usermann<\/a>\r\n<\/div>\r\n\r\n
\u00a0<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0<\/div>\r\n\r\n
\r\n
<\/div>\r\n<\/div>\r\n
\u00a0<\/div>\r\n

Short biography of Ernst H\u00e4usermann<\/h2>\r\n\r\n\r\n\r\n
\r\n

1947<\/span>
born in Lenzburg, Canton Aargau, Switzerland<\/p>\r\n\r\n

- works in the school holidays with the ceramist Arnold Zahner (Rheinfelden, Canton Aargau), related to H\u00e4usermann<\/p>\r\n\r\n

- founds and plays piano in pop-jazz band<\/p>\r\n\r\n

1967-1969<\/span>
apprenticeship as a potter with the ceramist Arnold Zahner; H\u00e4usermann also attended courses in spatial design and drawing at the Basel School of Applied Arts<\/p>\r\n\r\n

- works with the ceramist Arnold Zahner as well as with the ceramist Jean-Claude de Crousaz (Bernex, Canton Geneva)<\/p>\r\n\r\n

- Further education abroad<\/p>\r\n\r\n<\/td>\r\n

\r\n

1972<\/span>
founds his own workshop in Oberkulm, Canton Aargau<\/p>\r\n\r\n

from 1972<\/span>
teaches at the School of Applied Arts in Zurich (Kunstgewerbe-Schule Z\u00fcrich) modeling and ceramic design<\/p>\r\n\r\n

1979<\/span>
Westerwald Prize in the context of the exhibition \"German Ceramics 79\" (\"Deutsche Keramik 79\"), H\u00f6hr-Grenzhausen, Germany<\/p>\r\n\r\n

1984<\/span>
moves the studio to Lenzburg<\/p>\r\n\r\n

1994<\/span>
Study stay at the artist's studio of the Canton of Aargau in Prague<\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n

\r\n
<\/div>\r\n<\/div>\r\n
\u00a0<\/div>\r\n

The potter about the material clay<\/h2>\r\nWith clay as a material, Ernst H\u00e4usermann sees the danger that one is quickly satisfied with what one has created, provided that one does not set one's own standards for the design very high [1]: \r\n\r\n\"The difficult and the demanding thing about working with clay is that you have to build up in yourself the limitation that another material gives you in hardness as resistance. This requires practice and a knowledge of the material. In this, those who do pottery professionally differ from all the amateur potters who can produce something relatively quickly. But then the form has not passed through one, it has not been implemented. The person who made it is not in it ...\"<\/em> \u00a0[2]\r\n\r\n
\r\n
<\/div>\r\n<\/div>\r\n
\u00a0<\/div>\r\n

Ernst H\u00e4usermann in the media<\/h2>\r\nThere are also various features about Ernst H\u00e4usermann in the media, for example on Swiss television:\r\n\r\n