{"id":105,"count":2,"description":"Daniel Zuloaga - actually Daniel Zuloaga Boneta - is one of the first art ceramists or studio ceramists in Spain. His works are very diverse, there are very pitoresque ceramics by Daniel Zuloaga, including painted tiles and vases, as well as modern versions, especially in terms of colouring. \r\n\r\n
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Ceramic Mortar by Daniel Zuloaga<\/strong><\/figcaption><\/a>\r\n\r\n
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OVERVIEW<\/strong><\/div>\r\nShort biography<\/a>\r\nAbout Zuloaga's pottery<\/a>\r\nExhibitions<\/a>\r\nSources<\/a>\r\nWorks by Daniel Zuloaga<\/a>\r\n<\/div>\r\n\r\n
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Short biography of Daniel Zuloaga<\/h2>\r\n\r\n\r\n\r\n
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1852<\/span>
born in Madrid, Spain<\/p>\r\n\r\n

1867-1871<\/span>
apprenticeship in porcelain manufactory S\u00e8vres (Manufacture royale de porcelaine de S\u00e8vres), France<\/p>\r\n\r\n

1877-1893<\/span>
works in the royal ceramics factory \"Real F\u00e1brica de La Moncloa\" (with interruption)<\/p>\r\n\r\n- teaches at the Escuela Central de Artes y Oficios\r\n\r\n

1893-1906<\/span>
opens own workshop (\"Laboratorio\") in the stoneware factory La Segoviana in Segovia, Spain<\/p>\r\n\r\n<\/td>\r\n

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1905<\/span>
buys the Romanesque church ruins of San Juan de los Caballeros in Segovia.<\/p>\r\n\r\n

1906<\/span>
works in the F\u00e1brica de Pasajes de San Juan, Gipuzkoa, Spain<\/p>\r\n\r\n

1908<\/span>
opens his own workshop in the restored church ruins of San Juan de los Caballeros, Segovia, Spain<\/p>\r\n\r\n

from 1911<\/span>
teaches at the Escuela de Cer\u00e1mica de Madrid<\/p>\r\n\r\n

1921<\/span>
died in Segovia, Spain<\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n

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About Zuloaga's pottery<\/h2>\r\nAround 1912, an exhibition of Zuloaga's pottery took place in Madrid. In the accompanying exhibition brochure, Daniel Zuloaga's style and aspirations are described thus: \r\n\r\n\"What Zuloaga avoids is vile imitation. The pupil of S\u00e8vres, with all due respect, felt that the opposite should be done. One thing is crockery for eating made of unsightly materials and another thing is a decorative object that has no other purpose than to please the eye, and that is why Zuloaga is much more interested in earthenware than in porcelain, which, as has been said, is discredited by those great industries that flood all the shop windows of Madrid with ridiculous bisque porcelain as parodies of S\u00e8vres, Sax, Berlin, Vienna, Chelsen, etc. which cannot enter the room of a person educated in the arts.\"<\/em> [1]\r\n\r\n
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Exhibitions<\/h2>\r\n\r\n